Stop the Drones! Anti-drone art and activism.

Rug of Drones, Installation by Abdullan M.I. Syed

Finding a way to organize politically against the covert and illegal terrorist drone attacks seems impossible, but there are many glimmers of hope over the last year.  First, there is a growing national anti-drone network and the recent CODEPINK No Drone Summit, in the US, but more interesting are recent events in Pakistan.  The Washington Post is reporting today that Pakistan political parties are "outing" high ranking CIA officials as a form of protest against drone attacks and a Pakistani cricket-star-turned-political-leader has organized protest blockades of NATO supply lines that are attracting thousands of Pakistanis. 

The protestors maintain that drone attacks violate Pakistani sovereignty and are only deepening anti-American sentiment and strengthening the Taliban.

Malala Yousafzai agrees and last month used her audience with President Obama to tell him that "drone attacks are fueling terrorism." and suggests that support for education for young Pakistanis might do a lot more to stop anti-American violence. The brave young anti-taliban activist elaborates in an interview here.  Despite the Malala's pleas, Washington still doesn't seem to be listening.  Incredibly, only 5 members of congress showed up to hear the stirring first hand testimony of this Pakistani family.



Artists are also protesting.  AlJazeera recently profiled a new generation of Pakistani artists who are creatively expressing the effects of violence and drone attacks on the fabric of their culture.  And Mother Jones interviewed another Pakistani artist, Mahwish Chishty, who re-imagined drones as folk art.

The anti-drone art movement in Pakistan is echoed in the West.  An exhibit this past summer at the Corcoran Gallery in Washington DC (a stone's throw from the White House) by James Brindle attempted to expose an American audience to the feeling of being overshadowed by drones, or at least to make the normally unseen seen.  Brindle sees himself as an activist and said "“I’m concerned about the state of the world. There’s no illusions that words and politics and speeches about clean wars and minimizing collateral damages is anything but hot air,”  See his interview with the BBC here.  Brindle also maintains the "Dronestagram" Instagram feed of google earth images of drone-bombed sites.

James Brindle's installation, "Drone Shadow" Istanbul 2012

Instagram seems friendlier to drone activism than Apple.  The "Drone +" iphone app which sends push notifications when a drone strike occurs has been rejected by Apple three times because it "contained content that many audiences would find objectionable."  Creator Josh Begley still maintains the popular twitter account @dronestream tweeting every drone strike and its body count. Twitter is also home to the US Drone War Department, a more satirical take on the drone war. A more graphic representation of the drone body count can be seen here, just in case you have friends that need convincing of exactly how dramatically the Obama administration has ramped up this particular form of terrorism.

Spontaneous Artivizm in Istanbul

From Syrian artist/photographer Khaled Akil's balcony in Istanbul last night.  All of Istanbul flashing their lights and banging pots and pans in solidarity.  To learn more and take action, go to Amnesty International's page on Turkey solidarity and learn what you can do to support the Turkish demand for freedom and democracy.

Akil knows more than most how precarious basic human rights and the freedom of expression are, having fled his beloved home city of Aleppo less than a year ago.  He talks about the pain of leaving his country behind in chaos here. 

Blu vs Drones

" Blu recently finished two murals in Niscemi, Italy, where residents are protesting the US Navy’s installation of communications satellites which will be integral to controlling the next generation of military drones.

The above piece is one of my favorites from Blu in quite a while. The drones slowly transform into crosses at a graveyard, and the multitudes of Niscemi stand up and resist against the military monster. Besides the ethical concerns about drones, residents are also worried about the electromagnetic waves that the communications satellites will emit. Check out the No MUOS website for more information about the protests."   --from Vandalog

Photography Artivizm and Solidarity with Supermax Prisoners.

Melvin Haywood, pictured above, spent eight years in solitary confinement at Tamms supermax until the Prisoner Review Board granted him parole from prison. Though the Department of Corrections held him in isolation for eight years, as a “C#,”one of the 270 Illinois prisoners floating in the system with indeterminate sentences, the notoriously tough parole board determined that he did not need to be in prison at all.

The Daily Beast and Creative Time Reports cover the inspiring story of arts activism and solidarity with supermax prisoners in solitary confinement.   The Tamms supermax prison in Illinois is one of the most notorious in the nation, condemned by Amnesty International for inhumane practices that led to high rates of attempted prisoner suicides and self mutilation.

In response, a group of artists known as the Tamms Poetry Committee came together to educate the public about the atrocities committed there and also to provide the prisoners with human connection and interaction in the form of poems and holiday cards.  One of the artists' initiatives was "photo requests from solitary."  Prisoners on solitary would request photos and professional photographers would then shoot the request and send the photo back.  The gallery of prisoners requests is surprising and poignant.

For “Photo Requests from Solitary” the men in Tamms were invited to request a photograph of anything in the world, real or imagined. The resulting requests were touching and often surprising. They included: the sacred mosque in Mecca, comic book heroes locked in epic battle, Egyptian artifacts, Tamms Year Ten volunteers and a brown and white horse rearing in weather cold enough to see his breath. Willie Sterling III asked for a photograph of a vigil at Bald Knob Cross on top of a hill in southern Illinois to pray for his deliverance from Tamms and to be granted parole. Tamms Year Ten caravanned down to the cross, held a litany of song and prayer and celebrated with a dinner. The next day, we drove family members to visit loved ones at the prison. Sterling was transferred from Tamms, and on July 27, 2012, he was paroled after 36 years in prison. Photo by Rachel Herman, May 6, 2011.

Occupy Billboards

See the beautiful description of this action by the clever folks at the California Department of Corrections.  According to the Just Seeds blog:

Founded in 1994, the CDC is a private correctional facility that protects the public through the secure management, discipline and rehabilitation of California's advertising. The department was initiated by individuals who felt that public correctional facilities were insufficiently managing the state's most criminal elements and that effective care and treatment would improve under the supervision of a private institution. 

For more information on the department’s operations and programs, contact the CDC Office of Communications at cdc@revolutionist.com.

On the Third Anniversary of the Gulf Spill, the Fight is Far from Over.

Human Cost, Tate Britain Performance – First anniversary of the Gulf of Mexico disaster from You and I Films on Vimeo.

Cartagena Street Art

The Afronauts, it's not about Zambia, it's about us.

A few blog posts describing the artivistic aspects of Christia de Middel's highly acclaimed photography book, The Afronauts. : here and here.

The Last Supper

An Oregon artist humanizes death row and shares the stories of the condemned with 500 cobalt-blue paint fired plates, now showing in Corvallis Oregon.  She calls it "a window into the soul in an hour of crisis" and an examination of the strange rituals attached to both to the acts of execution and of preparing and sharing food.

Texas; Sept. 21, 2011: Two chicken-fried steaks, one pound of barbecued meat, a triple-patty bacon cheeseburger, a meat-lover’s pizza, three fajitas, an omelet, a bowl of okra, one pint of Blue Bell Ice Cream, some peanut-butter fudge with crushed peanuts and three root beers (after inmate didn’t eat any of this meal, Texas ends final meal request option).

Julie Green

"The Kiss" in Syrian ruins

"El beso" de Klimt entre los escombros de la guerra de Siria. El autor, Tammam Azzam. Tammam Azzam, after "The Kiss,"  on Syrian ruins